Black Friday Sale Unity Black Friday Joined: Jul 5, Posts: 4. Main new features of Wwise For these outputs, a separate audio mix must be done depending on the context. Some consoles can have other independent outputs as well chat, background music, headphones, etc.
AstoundSound Fold-down transforms discrete 5. This provides the listener with an enhanced super-wide stereo effect out of any two channel output.
Crankcase Audio REV REV is a suite of software tools and engine physics simulation code that allows you to transform ordinary, static recordings of accelerating vehicles into fully dynamic engine simulations, which sound far more exciting and realistic than traditional loop models, because they retain all the characteristics of the recordings they are derived from.
Workgroup Enhancements Wwise automatically marks files for add in Perforce and Subversion when importing audio files Wwise Project status is shown in the title bar File Manager can show files in hierarchy or flat Perforce in Stream mode is now supported Revert is now accessible in Project Explorer for both Perforce and Subversion plug-ins Wave Viewer Light weight wav file viewer and player application.
Import Factory Assets: allow to import Audiokinetic assets to a project. Music Transitions can now be organized in groups. Now possible to download and extract the files from the installer without installing Administrative Install.
Now possible to click URL in list controls http, file, etc This workaround is a thing of the past in Wwise It can be used to either set a static percentage of mix between speaker panned and 3D spatialized, or controlled via RTPC to be dynamically set by the game code.
You could also bind the Game Parameter to a built-in parameter like Distance to automate the transition between the speaker panned and 3D spatialized sounds. The 3D Game-defined sounds of Wwise The Hold Emitter Position and Orientation option is disabled by default, enable it if you want the initial position of the emitter to be used for spatialization for the entire duration of the sound; thus ignoring the movement of the emitting game object.
The 3D User-defined sounds of Wwise To reach the goal of clarifying the terminology, it has been renamed to Listener with Automation in Wwise The Hold Listener Orientation option will use the initial orientation of the listener when selected. If the listener changes orientation during the playback, sounds will be panned to reflect the change in orientation. Another feature frequently requested by Wwise users was the ability to use 3D User-defined positions to be applied to the emitter game object instead of the listener.
This feature is now available, it is called Emitter with Automation! If this option is used on a sound played on a moving game object, the initial position of the game object when the sound is played will be kept for the duration of playback.
Guillaume has been part of the customer support team at Audiokinetic since early He is well versed in Wwise and loves to share this knowledge with the community, convinced that technology can only reach its potential when it is understood by its user.
When he is not exploring fictional worlds in games or books, he likes to explore the real world wearing running shoes or riding his snowboard. Hi there, Is there any chance that the lessons in the certifications can be updated to with these new changes. I'm currently in lesson 4 and at the positioning section but it uses the older version of Wwise making it a little confusing.
Regards, Alex. That is a very good point, we are planning to update the certifications to reflect the changes in Positioning introduced in Wwise We can't give you an ETA for that update, we recommend you use Wwise It took me a while to find this post, but I second Alex's request for the lesson documentation update. This will also require an update to the info in the corresponding tutorial videos.
The game is like a singing solar system. You can see in the Audio Source that we are not using a Mixer for Output and all the Audio sources compete for resources and play at their default volume and priority. Pretty simple right. At that point we are looking at two Audio Sources are playing:. Build Report Audio. Play Uncompressed usage by category: Textures 0. Used Assets and files from the Resources folder, sorted by uncompressed size: Then add a couple of Channels to the Mixer to split the audio between left and right.
Then the Audio Sources are dropped into one or another of the Mixer Channels:. Next for bit more interest I added some effects in the Mixer. Here is where we see the advantages of using the Unity Mixer. Sounds can be manipulated in complex ways and the Audio Output chain be defined with presets and levels etc. If we have a look at our Profiler while running with the new component we cannot really see any great differences. Build Report Mixer Uncompressed usage by category: Textures 0.
Next we are going to add Wwise to the Project. This is the basic workflow. In the Wwise Launcher we register our project and on the first tab we are presented with three Hierarchies. The Master-Mixer Hierarchy — does what it says.
0コメント